Friday 27 February 2009

NME Awards last night on TV


I like music, really I do. To be honest, it's an obsession. But just like most things as I travel further into my thirties it's starting to look stinky in many ways. It seems to be less about music and more about people these days which is a shame. Watching these talentless goons poncing around in flamboyant clothes and unkempt hair just seemed to highlight all that is empty and vacuous about the modern music scene. Sitting through Franz Ferdinand's turgid cover of Call Me with some bint who looked a bit like a pikey Rhona Cameron, it struck me that all I really wanted to see was someone who looked normal, didn't ponce around in swanky clothes and didn't have silly hair. Then Charlie Brooker came on and I could have cried because I adore him. He sounded like a camp uncle though which was strange but seeing his beautiful gimpoid features was the highlight because at least some humanity appeared amid the faceless crowd of Alex Zane lookalikes.
Even people like Noel Fielding (whom I like) are starting to look like tits when they become embroiled in these cool and interesting 'cunt-fests'. Julian Barratt had the good taste not to attend.

Tools.

Btw Robert Smith came on to accept an award looking like a bloke who works in a bank but at weekends puts on makeup, a wig and wanders the streets drinking gin and eating kebabs whilst crying. He's nearly 50 for christ's sake. Put down the makeup son and give Sun Alliance a call.

Friday 20 February 2009

Out Of The Blue (Dennis Hopper, 1980)


Feeling ill today and the best thing I could have done was curl up and watch this great 80's nihilistic incest drama. The film is a car crash of failed lives, family dysfunction, grief and futility which culminates in an event suggesting that sometimes trauma cannot be overcome but only destroyed by something equally as catastrophic. The cast are magnificent - displaying vulnerability, anger and a complex understanding of self loathing with Hopper's character in particular seemingly inviting us to gaze upon his self destruction as life and art somewhat merge as one. Bolstered too by a great soundtrack, this is an edgy 80's movie that offers no easy answers and seems effortlessly ahead of it's time.